The design of the chorus is 32 bars, but what I am tempted to call "through-composed" -- that is, every eight-bar unit is different, so ABCD (most certainly not the stereotypical AABA). The opening defines two spaces, Eb4-Bb4 and Bb4 (here, C5)-Eb5. The lower of the two predominates throughout, which permits reading Bb4 (or ^5) as a focal tone and the progression to the cadence in the final 8-bar unit both clear and simple (second example below).
(Chorus ending)