Isaac Strauss was born in Strasbourg, the principal city on the French side of the Rhine river, and was active in Paris. A skilled Conservatoire-trained violinist, he took up conducting and became very successful (and also wealthy). He wrote original music but also many arrangements for dance and concert, including the Figaro-Revue for piano four-hands based on tunes by the younger composer Marius Boullard. Isaac Strauss was no relation to the Vienna Strausses.
The design is that of a quadrille, five parts with the traditional names (Pantalon, etc.), to which Strauss has added another whimsical title. The two of interest to us are n2 (Éte; Le Cigare) and n4 (Pastourelle; Le Mur de la Vie privée).
As in a few earlier instances on this blog, I have collated the prima and secunda parts. At the beginning, ^3 has the better of the cover tone ^5. Note the lower neighbor (interruption) at phrase end and the doubling of ^3 in the secunda part -- at (a). In the second phrase, however, the cover tone suddenly comes alive and takes over -- at (b) -- while ^3 descends in the secunda part, right hand.
In n4, a pattern of thirds puts the focus on ^5 and thus the ascent in the cadence is not much of a surprise. Note that the voice splits as F6 moves down in inner voices.
Showing posts with label quadrille. Show all posts
Showing posts with label quadrille. Show all posts
Sunday, March 12, 2017
Saturday, January 14, 2017
Herz, Contredanses variées [Quadrille], op. 35
Henri Herz, Contredanses variées, op. 35, is in the form of a quadrille, a complicated dance for four couples that has a set design of five numbers, each of which has a specific form. The first number has an eight-bar promenade, A (see below) followed by two dance "figures" with the musical design BACA, for a total of 72 bars: 8 + 32 + 32. As Franz Hünten does in a quadrille published around the same time (link), Herz varies (embellishes) the return of B and C in the second figure, but never A.
At (a), a well-defined interval is unfolded; at (b), its lower note is extended; at (c), the unfolding reverses; at (d) a line descends from the upper note and at (e) ascends from the lower note.
For more information on the quadrille, see the sturdy seeming Wikipedia article: link.
At (a), a well-defined interval is unfolded; at (b), its lower note is extended; at (c), the unfolding reverses; at (d) a line descends from the upper note and at (e) ascends from the lower note.
For more information on the quadrille, see the sturdy seeming Wikipedia article: link.
Subscribe to:
Comments (Atom)


