Bert Grant, "When You're Away" (1911). A quite remarkable DM7 at the beginning relaxes into a clear focal tone ^5 (as A4). We are again reminded that ^7 had become rather more than a "leading tone" to ^8--that had already happened in Strauss waltzes as early as the 1860s. In the final cadence a simple ascending line with chromatic elaboration and ^3 subbing for ^2 in the dominant, making the sound of a V13.
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