Chaminade, The Flatterer, Op. 50

Chaminade, La Lisonjera / The Flatterer, Op. 50 (1890). Design is ABA with an extended coda. Section A, below, is literally repeated.

Because this is in the "thumb region" of the right hand, I have removed the left hand's bass clef in order to trace lines. An octave-line runs through the eight-bar antecedent phase of a sixteen-bar period, from Gb4 at the beginning to Gb5 in bar 9. If one hears that as the Schenkerian initial ascent, then what follows in the consequent phase is a mirror Urlinie: down from Gb5 to Db5 and then returning at the end.

Here is the "mirror" again, with the bass restored.