Chambonnieres, Pieces de Clavecin (1670), lines to ^9

Continuing by topic through examples of rising figures in the two books of Chambonnieres's Pieces de Clavecin, we look now at lines that "overshoot" ^8 in the first strain to end on ^9 as fifth of the dominant harmony. (The two previous posts concerned PACs that end a strain.)

A gigue from book 1, suite 3. One might perhaps expand the figure back to E4 to hear a unidirectional figure through the octave.

The sarabande from book 2, suite 3 is very similar in its cadence to the first strain but the line is longer and direct (by step throughout from F#4 to E5).